Martin Gorczakowski wrote: Boring photography in fact does not correlate with the commonsensical understanding of boring. You do not yawn while viewing our photographs. It is more about certain, well defined aesthetics and as a matter of fact sensibility. I believe that all the boring photographers are very sensible and sensitive. They can praise the composition of the everyday and elevate it the banal into extraordinary. Many people think that everyday reality is boring, they would probably think the same of our images. But in fact it is exciting. Normalizm is a condition typical for boring photographers it is connected with explorations of the everyday aesthetics through the camera. The set of apparatuses mind-eye-camera becomes a quasi-archeological tool, which facilitates the record of reality. The first book is opened with a sentence: “We need time to lose interest in things”. By saying that we, the collective body want to praise the reality which is encountered every day and which often remains unnoticed. The inspiration to do so derives from the New Topographics movement, which consists of photographers such as Stephen Shore, Bernd and Hilla Bechers, William Eggleston or Donovan Wylie. Being influenced by their work the collective is creating a documentary quasi-topographic, yet still a personal record of the 21st century world from the perspective of young adults who often challenge subjects such as history or social behaviour.
